New Delhi, January 2025 – Art Magnum presents its upcoming solo exhibition, “Touchable Emotions” by G. Reghu, from January 7 to February 15, 2025. Curated by the esteemed Jyotirmoy Bhattacharya, this showcase celebrates the profound artistry and transformative journey of G. Reghu, one of India’s most revered sculptors.
“Touchable Emotions” brings together an extraordinary selection of G. Reghu’s terracotta sculptures, showcasing his journey from traditional pottery to the creation of evocative human forms. Spanning decades of artistic exploration, the exhibition highlights key works that resonate with social commentary and emotional depth. Each piece on display is meticulously crafted, reflecting the artist’s mastery of indigenous techniques and his profound connection to clay as a medium. Visitors will encounter vibrant colors and forms inspired by ancient tribal art and the timeless aesthetics of the Indus Valley and Harappan civilizations.
The exhibition aims to create an immersive experience for audiences, inviting them to reflect on the shared essence of human emotions and the cultural legacy of terracotta art. Curator Jyotirmoy Bhattacharya’s vision emphasizes the interplay of heritage and modernity, creating a narrative that celebrates both the artist’s roots and his innovative approach to the medium. The carefully curated space will also feature guided tours and discussions, offering deeper insights into Reghu’s techniques and philosophy.
“G. Reghu’s ability to convey profound emotions through the malleability of clay is unparalleled,” says Jyotirmoy Bhattacharya, Curator of the exhibition. “His works resonate with a timeless human essence, bridging the gap between ancient traditions and contemporary art forms.”
The exhibition highlights Reghu’s distinct aesthetic that marries Dravidian and African features, resonating with the essence of ancient tribal art and the timeless spirit of the Indus Valley and Harappan civilizations. Each piece not only captivates with its vibrant colors and forms but also invites viewers to explore its layers of social commentary and emotional depth.
“For me, working with clay is akin to shaping life itself,” says G. Reghu. “Each piece reflects a part of my journey, rooted in the textures of rural life and the timeless essence of human emotions. The act of firing clay in a kiln feels like breathing life into a form, where every creation becomes a vessel of stories, heritage, and identity.”
